Saturday, December 28, 2019
Public Education in Texas - 804 Words
Public Education In Texas High quality education is a must in U.S. since it means that todays youth will be prepared with the knowledge needed to tackle our nations issues. When looking from state to state, you will notice how various states differ in how well they are able to educate students. Maryland was ranked number one in the nation by having a high grade point average amongst students and an equally high graduation rate. Texas on the other hand had the worst grade point average and graduation rate. The reason for this is the amount of funding that goes into public schools. Maryland puts a lot of funding into their public schools which helps raise grade point averages. Meanwhile Texas puts little funding into public schools andâ⬠¦show more contentâ⬠¦That view still stands today as many senators and representatives hold hold mainly conservative views. The conservative view of education extends to the parents of the students as well. Salaries for public school teachers and administrators come primarily from state taxes which has been an issue for them for years. School faculty has been fighting the state for years to have an increase in pay but that would mean an increase in taxes as well. So when the parents of the students weigh in they often side with the legislature since a pay raise for teachers would mean a raise in taxes for them. This is sadly the same case for funding school equipment such as computers, books, playground equipment, ect.. Since parents are unwilling to have their taxes raised to pay for all of that, our schools will always fall behind, leaving teachers unable to properly teach our students. Another challenge is how often Texas changes its statewide testing regiments. So far it has changed four times over the past century, TAKS (Texas Assessment of Knowledge and Skills) was one of the regiments lasting from 1999 to 2011. The system currently in use and that will end by next year is the STARR exam (State of Texas Academic Readiness). The testing regiments change constantly because they do not accurately gauge a students performance. Also the fact that the main goal of the curriculum is religious and ideological control further hinders the academic performance of students. For example,Show MoreRelatedThe Funding Of Public Education844 Words à |à 4 Pages The funding of public education has long been an issue for the state government of Texas. Starting before Texas was even a state, public education funding was at the forefront of politicianââ¬â¢s minds. In 1836, one of the reasons Anglo-Texans wanted to become independent from Mexico was Mexicoââ¬â¢s lack of a public school system (An Overview of the History of Public Education in Texas, 2016). This drove the desire of President Mirabeau B. Lamar of the Republic of Texas to create legislation that wouldRead MoreRole Of An Interest Group On The United States And. Texas Political System Essay1143 Words à |à 5 Pagesorganizations, or businesses who share a goal. The interest group forms an alliance in support of their cause to influence public policy and government officials in the group s favor. The goal of the group could be focused on small group, such as the Japan Eraser Manufacturer s Association; or the goal could be focused on a large public group, such as family and fri ends of public school-aged children in the United States. Clive S. Thomas states, The most important lobbying forces in any society areRead MoreExecutive Summary : Funding For Education1543 Words à |à 7 PagesExecutive Summary: Funding for Education Introduction In 1836 Texans listed the failure of the Mexican government to provide education as one of their grievances in the Texas Declaration of Independence from Mexico (Texas Education Agency). Since the founding of Texas, education has been an extremely important part of the state government. According to Texas Politics Today, Article 7, Section 1 of the Texas Constitution states that a ââ¬Å"general diffusion of knowledge being essential to the preservationRead MoreA Discussion Of Constitutional Law And Its Relationship With Education1031 Words à |à 5 PagesLaw and Its Relationship with Education Education is not explicitly mentioned in the United States Constitution, but instead, education is one of the powers reserved to the states. Power not specifically given to the federal government is reserved for the states through the Tenth Amendment of the Unites States Constitution. Therefore, states have plenary, or absolute, power in the area of education. While states may hold this reserved power, with regard to education the federal government has foundRead MoreTexas House Of Committee Essay880 Words à |à 4 Pages2306 17 Nov. 2017 Committees of Texas House of Representatives After winning the election, there are many committees which we can serve. As a Texas House of Representative, I would like to serve on committees related to Higher Education, Transportation, and Public Health. According to Ballotpedia, ââ¬Å" The Higher Education Committee is a standing committee of Texas House of Representatives.â⬠The committee consists of nine members and they have the authority to education beyond the high school. The committeeRead MoreThe State Of The Texas Education System1245 Words à |à 5 Pageslegislators and courts have played in the Texas Education System is sadly poor. Citizens have been concerned about the education of our young people for many years, ââ¬Å"failure to establish any public system of education, although possession of almost boundless resources,â⬠Public education has gotten a myriad of policy changes, amendments, revisions, and laws altered to meet the needs of Texas students. How has the Texas education system replaced? Public education in the Texas has played a major role in shapingRead MoreTexas Parent Pac : An Organization Essay1185 Words à |à 5 Pages1 November 2016 Texas Parent PAC An interest group also known as a special interest group or a lobby is an organized group of individuals, organizations, or businesses who share a goal. The interest group forms an alliance in support of their cause to influence public policy and government officials in the group s favor. The goal of the group could be focused on small group, such as the Japan Eraser Manufacturer s Association; or the goal could be focused on a large public group, such as familyRead MoreThe Texas Constitution Guarantees An Efficient System Of Public Schools1459 Words à |à 6 PagesThe Texas Constitution guarantees an efficient system of public free schools, but schools have recently found themselves unable to provide an adequate education to the more than 5 million students in Texas because of the many problems within the education policy in the state. Such issues involve school financing, lack of preparation for college, early childhood education, teacher quality, and school choice. Tough all of these conflicts pose a potential threat to the school systemââ¬â¢s competence andRead MoreThe Governor s Military And Police Powers980 Words à |à 4 Pagesthree-member Public Safety Commission that directs the work of the Department of Public Safety with Senate approval. Adding to that, the last police power that the governor has is the ability to assume the command of the Texas Rangers. Thus, these are the governorââ¬â¢s military and police powers and the functions that they are allowed to assume in office. 2. Describe the functions of o the State Board of Education. o the Texas Education Agency. 2. The functions of the State Board of Education is to setRead MoreUnit 1 Assignment 11272 Words à |à 6 PagesGovernment 2306 26 Sep 2017 Unit1 Assignment I live in Texas State House District 115. The current Texas State Representative is Matt Rinaldi. 1 Texas State Senate District 16 and Texas State Senator is Don Huffines. From website www.house.state.tx.us/members/member-page/?district=115, district analyses reports can be found and downloaded. From the ââ¬Å"District Profile Reports -TEXAS HOUSE DISTRICT 115 ACS 2010-2014 Estimatesâ⬠, data showed in Texas House District 115, total population is 180,798. Percentage
Friday, December 20, 2019
The Vampire Tale as a Sub-genre of the Gothic Essay examples
The Vampire tale As a Sub-Genre of The Gothic Here I will expound upon how the vampire tale is undoubtedly a sub-genre of the Gothic Genre. I will also attempt to tackle the tricky question of whether the vampire tale falls within the subsection of the terror gothic or the horror gothic. In order to emphasize my points and observations I will refer to two scenes in the short story appropriately titled The Vampire, by John Polidori. In the Vampire several elements of the Gothic are readily discernible. More so in this tale because it is so short, succinct and rather straightforward. The protagonist, a young orphaned Englishman named Aubrey enters the cosmopolitan scenes of London and crossesâ⬠¦show more contentâ⬠¦The protagonists dilemma is that he believes he is bound to the honor of his word and cannot tell the secret that eventually consumes him. So his teacher gets married to and eventually victimized by a vampire. The story ends with a mounting bang thats any thing but anti-climactic. The author even ends the story with an exclamation mark. A point that should be well noted for it displays the tone and purpose of the telling of this particular tale. Before I press on into the territory that will illuminate the exact specifications this mark or contrast this work with a specific, brand, formula and genre I want to briefly note upon some deviations from the general subject matter and nuances that weve reviewed thus far in class. First of all this tale is strangely folkloric. Despite part of its setting being cosmopolitan London, theres almost a sitting around the fire fable-like quality to the tale. It has a tone to it that really draws you in. The narrator at one point makes a remark about how a particular character is unaware of a fact that the reader is in on. The indulgent, tone alone is not what makes for the folk tale quality that I sense. No, also there are a number of questions tossed out into the etherShow MoreRelatedGothic Realism And The Vampire Sub Cultures1512 Words à |à 7 PagesSince the 18th century, Vampires have ultimately transcended narrative boundaries and genre divides and the Vampire sub-cultures flourish in neo-gothic aesthetic from science fiction and fantasy, romantic and young adult literature and in celluloid. Vampire graphic narratives are finding increased popularity and have since developed into an ââ¬Å"Iconic popular culture phenomenon drawing an obsession and fascination globallyâ⬠. (Jacqueline, Ng, 2014) So what inspired this new genre of graphic narrativeRead MoreThe History of Vampires1397 Words à |à 6 Pagesseems obsessed with vampires. From gothic vampire novels, to endless movies, television and art, the vampire archetype continues to grow in popularity and sophistication. What is behind this seeming obsession with vampires, in our western culture? Why does this archeype endure? What does the vampire have, or do, that makes him/her so attractive and compelling? When did the transformation occur, from foul miscreant to suave tragic hero? Who is the vampire - really? Vampire culture seems in starkRead MoreThe Development Of The Horror Genre Throughout The Years1758 Words à |à 8 PagesMakhi Hughes Section 5 15 November, 2016 Final Semester Paper The Development of the Horror Genre Throughout the Years Both horror and science fiction explore the boundaries of what is means to be human (Belton, 272). This is done by emphasizing the dilemmas of the figures who straddle the border of human and non-human (Belton, 273). Horror and Sci-fi contain narratives that take on a form of a search for knowledge that will enable the human race to overcome any obstacle that involves a supernaturalRead MoreVictorian Novel9605 Words à |à 39 Pagescrucial writers of the period grew up in the earlier years, and had been influenced by the age of English Romanticism. Therefore, although Victorian was modern, materialist, factual and concerned with ââ¬Ëthings as they areââ¬â¢, Romantic, associated with Gothic, melodramatic, idealistic influenced the way novelists wrote in the beginning of the 19th century. I THE DEVELOPMENT OF THE NOVEL It was the Industrial Revolution that allowed not only cheap printing and papermaking but also rapid book distributionRead MoreMetamorphoses Within Frankenstein14861 Words à |à 60 Pagessense of ââ¬Ëthe imp act of technological dev elopments on 28 peopleââ¬â¢s lives and th e possibility of working-class revolu tion ââ¬â¢. Th is may be amongst th e things Ann Mellor has in mind when she says that Mary 29 Shelley ââ¬Ë initiated a n ew liter ary genre, what w e now call science fictionââ¬â¢, for the same f ear of mechan ization out of contro l informs the typical science-fiction dystopia of our own century: a sin ister scien tif ic technocracy whose success is built upon the marginalization and attemp
Thursday, December 12, 2019
Analysis of Debussy Trois Nocturnes Sirnes Essay Example For Students
Analysis of Debussy Trois Nocturnes Sir?nes Essay Charles Koechlin, in his book on Debussy, commented that SirÃ'Æ'nes has a subtle charm, and an irresistible and fatal sensuality that emerges from the slow vocalises. If its construction appears a little uncertain especially after the precision of Fetes this uncertainness is surely intentional.1 The apparent uncertainness of construction that Koechlin wrote with regards to Sirenes most probably arises from the absence of a clear tonality which matches Debussys intentions. This is compensated by skilful organisation of phrase structure and orchestral texture. Harmony Typical of Debussy, this movement of Nocturnes has a sense of movement without direction and this can be illustrated clearly from bars 42 to 55. The lack of clear harmonic progression results in this extracts ambiguous tonality. In bars 41 to 42, the parallel chords moving in cycle of fifths (D A E B) beginning on D at bar 38 (see fig. 1) are replaced by a III I progression establishing the tonic of B as shown in fig. 2. The III I progression is a harmonic progression is not typical of the common-practice era and this cadential arrival is largely implied as a Debussy tries to blur the harmonic progression by adding non-chord tones such as F# and D to the E major chord. In fact, only the central chord is tonally conceived in its own structure. The central chord is interpreted here in bar 41 as a dominant chord with a raised fifth (F# A# D E G#), which resolves in bar 42 to a second inversion tonic harmony in B with an added G# shown clearly by the harp (fig. 3), oscillating between major and minor through sharpening and neutralising of third with a F# pedal. Debussy also uses notes from whole tone scale extensively to further enrich the harmonic colour. A tetrachord of D E F# G#, which has a whole-tone scale relationship between its notes, appears in the melodic line of the mezzos at bar 43 to 44. At the start of bar 44, the music finally arrives to E as a tonal centre which can be implied from the E chord seen in the cello, double bass and 2nd harp part (fig. 4). Here Debussy decorates the harmony by adding notes from the whole tone scale. In the Oboe and 2nd Harp part, two non-chord tones D and F# are present along with the E major chord tones, which are E, G# and B. The two notes are linked to the tonal centre E by a whole-tone scale relationship. The repeated occurrence of the notes D and F# shows Debussys emphasis of whole tone scale here. At bar 44, the whole-tone structure is present in the major ninth chord and prolonged until the end of bar 45. This is shown clearly in the winds section where almost all the instruments are playing a descending whole tone scale as shown in fig. 4. This further illustrates Debussys extensive use of whole tone scale in this music. Debussy constantly avoids third of tonic by using seconds, fourths and octaves extensively. As triads are the fundamental building blocks of harmonic music, avoiding thirds or triads weakens the functional harmony and thus produces unclear tonality. From bar 42 to 47, the mezzo sopranos, which are standing out from the rests, has melody lines which are created by sustained use of seconds can be seen in fig. 5. The mezzo sopranos here oscillate between C# and B at bar 42 and rises to F# stepwise at the end of bar 43. From bar 45, mezzo sopranos only two notes are G and A. All these are in intervals of seconds so as to avoid a clear tonality by not using thirds. .u88dadc52618e9da2232d86d0a550515b , .u88dadc52618e9da2232d86d0a550515b .postImageUrl , .u88dadc52618e9da2232d86d0a550515b .centered-text-area { min-height: 80px; position: relative; } .u88dadc52618e9da2232d86d0a550515b , .u88dadc52618e9da2232d86d0a550515b:hover , .u88dadc52618e9da2232d86d0a550515b:visited , .u88dadc52618e9da2232d86d0a550515b:active { border:0!important; } .u88dadc52618e9da2232d86d0a550515b .clearfix:after { content: ""; display: table; clear: both; } .u88dadc52618e9da2232d86d0a550515b { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u88dadc52618e9da2232d86d0a550515b:active , .u88dadc52618e9da2232d86d0a550515b:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u88dadc52618e9da2232d86d0a550515b .centered-text-area { width: 100%; position: relative ; } .u88dadc52618e9da2232d86d0a550515b .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u88dadc52618e9da2232d86d0a550515b .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u88dadc52618e9da2232d86d0a550515b .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u88dadc52618e9da2232d86d0a550515b:hover .ctaButton { background-color: #34495E!important; } .u88dadc52618e9da2232d86d0a550515b .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u88dadc52618e9da2232d86d0a550515b .u88dadc52618e9da2232d86d0a550515b-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u88dadc52618e9da2232d86d0a550515b:after { content: ""; display: block; clear: both; } READ: "I am" by John Clare and "Wants" by Philip Larkin poetry analysis EssayThe strings section also lacks thirds. Instead, they have octaves and seconds as double stops in their parts. The double bass in the whole of bar 42 plays F# octaves and the lower cello part has notes F# and G# played together as a major ninth interval as seen in fig. 6. The fourths exist as intervals both across the string sections and within an instrument part. When the 1st violins notes (F#, B, D# and G#) and 2nd violins notes (D#, F# and B) are merged to form a chord as fig. 6, one can see that it basically comprises two fourths intervals, namely, F# B and D# G#. The higher part of the viola secti on also plays the notes D# and G# (again a fourth apart). These harmonic configurations last for two bars until the end of bar 43. Therefore, it is shown that these few bars have basically no thirds that gives them a clear functional harmony. Orchestral texture Bars 42 to 55 serve an important and essential purpose of building up to the climax at bar 82 by becoming increasingly dense in orchestral texture. At bar 38 to 39 (see fig. 7), a few bars before bar 42, the strings section accompanying the winds play pizzicato on chords, creating a light texture overall. The two harps also play ascending sweeping notes which lightens the texture further. However, this starts to change at the beginning of bar 40. The strings section changed to arco instead of pizzicato and the harp stopped playing. This gives a denser texture compared to the previous bars. The harp from bar 42 to 43 plays arpeggiated chords rather than scalic runs at bar 38 to 39. Furthermore, the demisemiquavers of 1st violins, second violins and double bass are staggered with the demisemiquavers of the violas and cellos, producing a unique effect in the accompaniment. All these gradually build up the orchestral texture for the climax. Also, Debussy uses parallel motion to thicken the texture. Examples can be seen at bar 44 to 45 (refer to fig. 8), where the motive played by winds is in parallel motion with the 1st and 2nd violins at bar 44 to 45 falling in thirds in parallel motion. Most importantly, at bar 48 to 49, the chromatic scale leading up to a change in tonal centre from E to C# is also arranged in parallel motion for the 1st violins and 2nd violins (see fig. 9). This thickens the texture quickly and creates tension to signify a change in the tonal centre. Phrase structure In bars 42 to 55, the phrase structures could be interpreted in several ways. Phrases could be standing on its own, comprising an antecedent and a consequent. At the same time, however, it could also be interpreted as an antecedent or consequent which is part of a larger phrase. This kind of symmetrised phrasing allows the repetition of phrase fragments which provides balance and stability and compensates for the unclear harmony cause by and constantly fluctuating tonal centres. The antecedent introduces the material and consequent reemphasises and concludes the newly introduced material. An example would be at bar 42 to 43, where the phrase can be either considered as antecedent to the consequent at bar 44 to 45, or it can be split into an antecedent and consequent within itself. Similarly, this also occurs in bar 46 to 49, which is varied repetition of bar 42 to 45. Even bar 42 to 45 can be interpreted as the antecedent of the whole phrase from bar 42 to 49. The mezzo sopranos notes from bar 42 to 45 are echoed later by the sopranos starting at bar 46, singing a sixth higher. As the melodic contour of mezzo sopranos in bar 42 to 45 are similar to that of the sopranos in bar 46 to 49, thus it could be a whole phrase starting from bar 42 and ending at bar 49. .u0d79003442e64184d1b864d903e5f437 , .u0d79003442e64184d1b864d903e5f437 .postImageUrl , .u0d79003442e64184d1b864d903e5f437 .centered-text-area { min-height: 80px; position: relative; } .u0d79003442e64184d1b864d903e5f437 , .u0d79003442e64184d1b864d903e5f437:hover , .u0d79003442e64184d1b864d903e5f437:visited , .u0d79003442e64184d1b864d903e5f437:active { border:0!important; } .u0d79003442e64184d1b864d903e5f437 .clearfix:after { content: ""; display: table; clear: both; } .u0d79003442e64184d1b864d903e5f437 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u0d79003442e64184d1b864d903e5f437:active , .u0d79003442e64184d1b864d903e5f437:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u0d79003442e64184d1b864d903e5f437 .centered-text-area { width: 100%; position: relative ; } .u0d79003442e64184d1b864d903e5f437 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u0d79003442e64184d1b864d903e5f437 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u0d79003442e64184d1b864d903e5f437 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u0d79003442e64184d1b864d903e5f437:hover .ctaButton { background-color: #34495E!important; } .u0d79003442e64184d1b864d903e5f437 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u0d79003442e64184d1b864d903e5f437 .u0d79003442e64184d1b864d903e5f437-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u0d79003442e64184d1b864d903e5f437:after { content: ""; display: block; clear: both; } READ: Development of Dance and Music in the Philippines EssayIn conclusion, Debussy deliberately drops the functional harmony by avoiding the thirds. He adds value to the timbre and texture in his music by using notes from wholes tone scale and changing the orchestral texture when needed, resulting in the use of the wide range of orchestral textures and harmonic colour.
Wednesday, December 4, 2019
Outcome
Outcome-Based Education Essay Outcome-based Education Denied Joan M. Montana, R. N. Outcome-based education Is the trend In todays curriculum. It Is currently favored Internationally In countries such as Canada, South Africa, New Zealand, and united States (Milan, 2004, cited by Butler, 2004). Outcome-based education encompasses learning at the students pace to achieve a desired outcome. It is defined by Chary (2003) as a method of curriculum design and teaching that focuses on what students can actually do after they are taught. Basically, it puts emphasis on measuring what the students have learned and understand after a rouser by not merely giving examinations but rather, activities that assess critical thinking of the students. In this light, outcome-based education is beneficial to our educational system In providing professional and competent workers. Biggs and Tang (2007) stated that It Is beneficial to the students since the learning outcome tell them precisely not only what they are supposing to be learning, but how and to what standard. In the development of outcome-based education, educators studied the work of Carroll and Bloom. Carroll said that it was inappropriate to fix the time for study and expect variable learning results from students (Davis, 2003). Bloom developed Carols thinking into the notion of mastery learning, in which a fixed level of performance was to be achieved by students by changing the relationship between time and learning (Davis, 2003). From this, the underlying principle of outcome-based education was achieved in a sense that the learning became fixed and the time to achieve the learning became the variable. The primary aim of outcome-based education Is to facilitate desired changes within the learners, by Increasing knowledge, developing skills and/or positively Influencing attitudes, values and Judgment (Butler, 2004). As a whole, It targets the cognitive, affective and psychosomatic domains of learning, thus, facilitating better understanding and retention of the topics learned. As stated by Killeen (2000), outcome-based learning is underpinned by three basic premises: All students can learn and succeed, but not all in the same time or in the same way. Successful learning promotes even more successful learning. * Schools (and teachers) control the conditions that determine whether or not students are successful at school learning. Spade and his colleagues (cited by Lawson ; Easels-Williams, 2007) identifies four organizing principles of OBOE, namely: (1) clarity of focus; (2) designing back; (3) high expectation for all students; and (4) capability of the teachers to provide expanded opportunities to allow for achievement of outcomes In a variety of ways. In clarity of focus, the learning outcomes broad and specific must be clearly Identified for the students; and all teaching and learning actively must be aligned with these outcomes. In designing back, the curriculum content should flow clearly from the most general valued outcomes, to the related, ore special outcomes, to class lesson actively. In Nell expectations Tort all students, it requires that successful and challenging learning experiences and achievement of high standards be part of learning for all students. In the fourth principle, it is suggested that different learners may take different routes, and different amounts of time or different numbers of attempts, to achieve the same outcome. Moreover, visionary elements, proposed by Spade (cited by Lawson ; Easels-Williams, 2007) emphasized the need for educational leaders to engage in empowerment thinking, visionary thinking and future-focused thinking that looks to the world as it should be in the future. Killeen (2000) acknowledged the significance of using outcomes to guide instructional planning. He claimed that there are three major steps in an OBOE system. These steps includes: deciding on the outcomes that students are to achieve; deciding how to assist students to achieve those outcome and deciding how to determine when students have achieved the outcomes. In addition, teaching strategies for OBOE is said to vary in numerous ways. Whatever approach to teaching will be used, it is important for educators to keep the following points in mind: * The main focus should be on learning rather than teaching Students cannot not learn when if they do not think * Thinking is facilitated and encouraged by the processes that were being used with the contents as well as by the content itself. The subject does not exist in isolation -educators should have to help students make links to other subject. * Educators have the main responsibility to help students learn how to learn. On the other hand, students also have responsibilities for learning in an OBOE system. Cookbook (1997, as cited by Killeen, 2000) suggest that learners are responsible for th eir own learning and progress. The principle acknowledges the fact that learning is ultimately a personal and an internal event. Students must be motivated if they are to learn. .u5125200dd93ef216613ea39f29f6407e , .u5125200dd93ef216613ea39f29f6407e .postImageUrl , .u5125200dd93ef216613ea39f29f6407e .centered-text-area { min-height: 80px; position: relative; } .u5125200dd93ef216613ea39f29f6407e , .u5125200dd93ef216613ea39f29f6407e:hover , .u5125200dd93ef216613ea39f29f6407e:visited , .u5125200dd93ef216613ea39f29f6407e:active { border:0!important; } .u5125200dd93ef216613ea39f29f6407e .clearfix:after { content: ""; display: table; clear: both; } .u5125200dd93ef216613ea39f29f6407e { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u5125200dd93ef216613ea39f29f6407e:active , .u5125200dd93ef216613ea39f29f6407e:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u5125200dd93ef216613ea39f29f6407e .centered-text-area { width: 100%; position: relative ; } .u5125200dd93ef216613ea39f29f6407e .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u5125200dd93ef216613ea39f29f6407e .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u5125200dd93ef216613ea39f29f6407e .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u5125200dd93ef216613ea39f29f6407e:hover .ctaButton { background-color: #34495E!important; } .u5125200dd93ef216613ea39f29f6407e .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u5125200dd93ef216613ea39f29f6407e .u5125200dd93ef216613ea39f29f6407e-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u5125200dd93ef216613ea39f29f6407e:after { content: ""; display: block; clear: both; } READ: What is culture? Argumentative EssayKilleen (2000) summarized three main points in the importance of motivating: students need to know why they are learning whatever they are learning, they need to see some value in this learning, and they need to believe that they can be successful. Outcome-based education allows the students to learn independently at heir own pace, having an outcome to achieve at the end of the learning process. The teachers are merely facilitators of learning guiding and assisting students to understand information and to transform it into their own personal knowledge. Outcome-based education, as a trend in the present curriculum, has its advantages and disadvantages. Mostly, students would benefit from this system. As stated by Razorblades and Uncharismatic (2013), OBOE encourages self-directed learning and allow the students to have a meta-cognitive understanding of the educational program and their role in that process. It also helps students to become aware of what they should be learning, aware of what they are actually learning, and aware of the control that they have over their own learning (Killeen, 2000). In contrast to its benefits, critics of OBOE pointed out several disadvantages. One is stated by Razorblades and Uncharismatic (2013) that OBOE conflicts with the wonderful, unpredictable voyages of exploration that characterize learning through discovery and inquiry. Another is that it is too technical or mechanical or inflexible such that innovation and creativity of the teachers would be killed. Furthermore, it emphasizes minimum levels of achievement and thus encourages mediocrity. However, these can De met Day OBOE In ten sense Tanat teachers would a De addle to practice Innovation Ana creativity in developing teaching strategies that would help the students achieve the outcomes. In terms of mediocrity, OBOE emphasizes the principle of high expectations for all the students wherein the teacher must set the criteria for the outcomes. It can be said that one of the major disadvantage of OBOE is the burden to the teachers in terms of findings ways to help the students arrive at the desired outcomes. In inclusion, outcome based education upgrades the educational system in terms of student involvement in the learning process, and promotes higher level of functioning after the learning process.
Thursday, November 28, 2019
Specters of Work free essay sample
A discussion on the theories of labor of the communists Marx and Engels. This essay discusses labor theories of as expressed in the communist manifesto. The writer focuses on the theories of Marx and Engles. He bases his conclusion on Juliet Schors The Overworked American, the Free Agent Employees by Nina Munk, and The Founder of Modern Business by Bruce Barton. Many articles deal rather indirectly with the ideas of the communist manifesto, merely accepting its ideas of oppression without quite understanding the causes behind them, or their final ends. One of the interesting articles along these lines is Free Agent Employees by Nina Munk. In her article, she deals with the new phenomena of freelance workers, which are apparently distinguished from temporary workers only in name and mindset. It is difficult to say what Marx himself would have thought about freelance workers. In theory, it might seem that they are liberated from the oppressive system of corporate ownership. We will write a custom essay sample on Specters of Work or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page On the other hand, as Munk points out, they get all the work and low wages of ordinary workers, with none of the rewards that unions have slowly attached to permanent workers, such as health and retirement benefits. Her discussion of how the system of freelance workers only really benefits the employers and those who, as it were, help pimp freelance labor, is relatively Marxist in nature. And such freelance laborers are the ultimate realization of what Marx and Engles wrote in the communist Manifesto: laborers who must sell themselves piecemeal, are a commodity.
Sunday, November 24, 2019
Qué es Alien Registration Number y dónde encontrarlo
Quà © es Alien Registration Number y dà ³nde encontrarlo El Alien Registration Number es un nà ºmero de identificacià ³n asignado por una agencia o autoridad de Estados Unidos a un extranjero presente en el paà s. El Alien Registration Number, que tambià ©n se conoce comoà A Number, A #à e inclusoà green card numberà est conformado por la letra A seguido siete, ocho o nueve dà gitos. Una vez que un nà ºmero ha sido asignado a una persona, à ©ste no cambia, es decir, siempre es el mismo. Quià ©nes tienen un Alien Registration Number Los extranjerosà que se encuentran en Estados Unidos pueden tener un Alien Registration Number, pero no todos lo tienen. En realidad, solamente los que se encajan en una de las cuatroà categorà as siguientes: En primer lugar, los residentes permanentes legales, es decir los que tienen una tarjeta de residencia, tambià ©n conocida como greencard. En segundo lugar, los extranjeros en proceso de ajuste de estatus. En tercer lugar, los extranjeros que tienen un permiso de trabajo por razones distintas a un ajuste de estatus. Y, finalmente y en cuarto lugar, los migrantes que sin pertenecer a ninguna de las tres categorà as anterioresà tienen o han tenido algà ºn tipo de procedimiento abierto en una corte migratoria. Por ejemplo, el caso de indocumentados en un proceso de deportacià ³n o un solicitante de asilo en fase defensiva, etc. Cabe destacar que si se est en Estados Unidos con una visa no inmigrante, como la de turista, estudiante, etc. no se tiene un Alien Registration Number, a menos que se haya abierto un procedimiento en corte migratoria o està © en tramitacià ³n para ajuste de estatus. Asimismo, los indocumentados que no han tenido ningà ºn tipo de contacto con las autoridades migratorias tampoco lo tienen. Por à ºltimo, cabe destacar que es posible solicitar a USCIS que notifique cul es el Alien Number de una persona que sabe que lo tiene pero no es capaz de encontrar ningà ºn documento en el que figura y no lo recuerda de memoria. Para estos casos se puede pedir una FOIA mediante el formulario G-639. Tambià ©n es posible solicitar el rà ©cord migratorio a una corte. Dà ³nde un migrante puede verificar cul es su alien registration number Este nà ºmero se puede encontrar en la tarjeta de residencia green card. Los migrantes que ingresaron a EE.UU. con una visa de inmigrante pueden encontrarlo en dicha visa, con el nombre de registration number. Asimismo, puede encontrarse en la carta del USCIS en la que se notifica la aprobacià ³n de la solicitud de ajuste de estatus o en la tarjeta de un permiso de trabajo. Los migrantes que tienen o han tenido un trmite ante la corte migratoria pueden encontrar el nà ºmero de alien en la apertura del expediente. Para quà © se utiliza el alien number El alien number es necesario para completarà formulariosà de todo tipo, pero especialmente los migratorios, aunque tiene ms finalidades. Si al llenar una planilla piden un A# de nueve dà gitos pero se tiene un alien number de solamente siete u ocho debe aà ±adirse un 0 (cero) o dos ceros a la izquierda del nà ºmero para asà tener un nà ºmero de nueve cifras. Es necesario el nà ºmero de alien, por ejemplo, cuando un residente permanente reclama la tarjeta de residencia para su cà ³nyuge o hijo se le pide su nà ºmero de extranjero. Tambià ©n es necesario para pedir la ciudadanà a estadounidense por naturalizacià ³n, solicitar el Nà ºmero del Seguro Social o al completar el formulario I-9 al iniciar un trabajo en una empresa. Tambià ©n se utiliza para declarar y pagarà impuestosà e incluso para solicitarà becasà federales mediante la Aplicacià ³n Gratuita de Ayuda Federal para Estudiantes (FAFSA, por sus siglas en inglà ©s) para quienes puede aplicar desde el punto de vista migratorio y financiero. Tambià ©n se utiliza para comprobar el derecho a ciertos beneficios sociales, como cupones de alimentos o Medicaid. Otro ejemplo para el que se utiliza el A# es para buscar a personas que se cree que han sido detenidas por Inmigracià ³n. El sistema para localizarlas digitalmente creado por el gobierno pide que se introduzca ese nà ºmero, si se tiene uno y se conoce. Por esta razà ³n, si se tiene ese nà ºmero es importante comunicarlo a un familiar cercano o a un amigo confianza porque puede ser muy à ºtil que otra persona lo tenga a la hora de localizar a migrante que ha sido detenido. Tambià ©n se puede utilizar el Alien Registration Number para que un migrante pueda saber si tiene una orden de deportacià ³n en su contra dictada en ausencia. Si existe una duda razonable de que un migrante tiene ese tipo de orden es importante que se informe ya que de ser detenido podrà a ser deportado inmediatamente sin pasar por corte migratoria. Quà © hacer si un formulario pregunta el Alien Registration Number y no se tiene Si una planilla pregunta por el nà ºmero de alien y no se tiene se debe dejar el espacio correspondiente en blanco, escribir NONE o N/A. Un ejemplo son los formularios para solicitar los papeles a un familiar en el punto en el que preguntan por el A-number de la persona pedida, si à ©sta no hay tenido jams uno. Lo que nunca se aconseja es escribir un nà ºmero falso, inventado o que corresponda a otra persona ya que eso es un fraude de ley y puede tener en el futuro consecuencias migratorias muy negativas. En ocasiones, ser posible utilizar como nà ºmero de identificacià ³n el del Seguro Social o incluso el ITIN. Pero hay que asegurarse de que es posible. En muchos casos no se admite la sustitucià ³n de un nà ºmero por los otros ya que el nà ºmero del Social o del ITIN no indican, por sà solos, estatus migratorio legal.à Evitar confusiones con el Alien Registration Number No se debe confundir el Alien Registrationà Number con el nà ºmero de Seguridad Social. El SS# consta de nueve dà gitos y es emitido por la Administracià ³n de la Seguridad Social a los ciudadanos estadounidenses, residentes permanentes legales y a ciertas categorà as de extranjeros con visas que permiten solicitar autorizaciones para trabajar. Tampoco confundirlo con el nà ºmero del I-94, registro de entrada y salida de Estados Unidos y que es el nà ºmero que se pide para completar algunos formularios migratorios, como por ejemplo, pedir extensià ³n o cambio de visa, solicitar ajuste de estatus, etc. Puntos Clave: Alien Registration Number El Alien Registration Number es un nà ºmero de 7,8 o 9 dà gitos que sirve para identificar a extranjeros en EE.UU. Es siempre el mismo, nunca cambia.No todos los extranjeros tienen un Alien Registration Number. Sà lo tienen: residentes permanentes, personas con ajuste de estatus aprobado, extranjeros con permiso de trabajo y migrantes que han tenido o tienen un expediente en corte migratoria.Llenando el formulario G-639 es posible pedir a USCIS que notifique el nà ºmero de alien de una persona que sabe que lo ha tenido pero no lo recuerda ni guarda ningà ºn documento en el que conste. Tambià ©n se puede pedir una FOIA a una corte migratoria.Llenar un formulario utilizando un alien registration number falso o de otra persona es un fraude de ley. Este es un artà culo informativo. No es asesorà a migratoria legal para ningà ºn caso concreto.
Thursday, November 21, 2019
Communication Essay Example | Topics and Well Written Essays - 1000 words - 2
Communication - Essay Example The first organization that was observed was Wal-Mart. This research recognizes that most individuals are at least cursorily familiar with Wal-Mart, however insights can be gained from in-depth observational investigation. One of the most overarching considerations is Wal-Martââ¬â¢s organizational model. In these regards, the organization is the countryââ¬â¢s largest retailer, selling both household items as well as groceries. There are large numbers of employees working at Wal-Mart. There is a management level of employees, another group of employees who work the cash registers, other groups of employees who work in specific department ââ¬â for instance electronics or the seafood departments -- finally other groups of employees work stocking the shelves. The specific observation of these employees revealed a number of elements. While the employees are easy to locate oftentimes they operate in a very business environment and as such their roles are less defined as customer service, than in the service of their specific tasks. I observed one interaction where a customer asked an employee where measuring tape was. Rather than bring the customer to the location the employee vaguely pointed at an area and said they believe it was in that direction. While one could attribute such a communication approach to the specific employee, this behavior was also witnessed in the electronics department. In this situation a customer asked about what the specific figures on one of the computer advertisements meant. The employee responded that they werenââ¬â¢t sure about the specific elements on that computer. It seems that to a great degree these employeesââ¬â¢ verbal communication skills were a necessary byproduct of the organizational culture that had been established at Wal-Mart. Namely, the commitment to low-cost goods has necessitated that customer service be sacrificed. As I was checking out of the store I waited in line for five minutes. Suddenly the cashi er looked to the others in the line and informed them that this line was closed. While she could have informed the customers waiting earlier, he non-verbal communication carried on as normal. The situation demonstrated that the employee had a lack of pride in her job. Ultimately, it seems that such actions may also be a product of necessary sacrifice for low prices. The next retailer that was observed was Best Buy. Best Buy is a large-scale electronics retailer specializing in virtually all major electronics and games. Upon entering the store I immediately recognized a number of disparate elements between this organizational model and that of Wal-Mart. While both retailers are large-scale chains Best Buyââ¬â¢s focuses on electronics, as well as their subsequent approach to customer service. While Wal-Martââ¬â¢s employee communication styles are very detached, Best Buyââ¬â¢s approach is almost overly helpful. Employees were both verbally and non-verbally approachable through body language. In walking around the store I was approached numerous times by employees asking if I needed help or had any questions. While it seems to a degree this was motivated out of the need to help customers with the complexity of the electronics it is seems a comprehensively different approach to the organizational model. The specific breakdown of employees was the same as Wal-Martââ¬â¢s with individuals stocking shelves, cashiers, and managers; however,
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